When was breakdancing invented

In contrast to Freezes, Suicides draw attention to the motion of falling or losing control, while Freezes draw attention to the final position. Participants vary in number, ranging from head-to-head duels to battles of opposing breakdance crews, or teams. Winners are determined by the side exhibiting the most proficient combinations of moves.

Since its inception, breakdancing has provided a youth culture constructive alternative to violent urban street gangs. Today, breakdancing culture is a remarkable discipline somewhere in-between those of dancers and athletes. Since acceptance and involvement centers on dance skills, breakdancing culture is usually free of the common race, gender and age boundaries of a subculture and has been accepted worldwide. Social interaction centers on practice and performance, which are occasionally intertwined because of its improvisational style.

While featured at dance schools, breakdancing is very difficult, typically taught to newbies, or beginners, by more experienced breakdancers and passed on to new generations by informal word-of-mouth. Clubs and hip-hop schools do exist, but are rare in number and more so in organization. See s and s. The most common feature of breakdance music exists in breaks, or compilations formed from samples taken from different songs which are then looped and chained together by the DJ.

The tempo generally ranges between and beats-per-minute with shuffled sixteenth and quarter beats in the percussive pattern. History credits Kool DJ Herc for the invention of this concept, later termed breakbeat.

The musical selection is not restricted to hip-hop as long as the tempo and beat pattern conditions are met. It can be readily adapted to different music genres often with the aid of remixing. World competitions have seen the unexpected progressions and applications of heavily European electronica, and even opera. Rock Steady Crew, arguably the most important breakdancing collective in hip-hop history, added innovative acrobatic moves to the art.

Breaking evolved from simple headspins and backspins to sophisticated power moves. Music is an essential ingredient in breakdancing, and hip-hop dance songs make an ideal soundtrack. But rap is not the only option. Also great for dancing: 70's soul, funk, and even jazz tunes all work as well.

Style, fashion, spontaneity, concept, and technique are also vital aspects of breakdancing. Actively scan device characteristics for identification. Use precise geolocation data. Select personalised content. Create a personalised content profile. Measure ad performance. Select basic ads. Create a personalised ads profile. Select personalised ads. Though the Uprock a. Rocking , which features, among many other movements, burns aggressive hand thrusts and jerks martial-arts-inspired body motions is not a break dance as we envision it now, it is the true soul-beat precursor of the Toprock , which took Uprock routines, added transition moves sometimes known as the six-step , and finished with groundwork.

Today's break dancing began to come of age in and when disc jockey, record producer and visionary Afrika Bambaataa convinced the members of the Bronx street gang of which he was then the warlord to challenge rival gangs to battle with macho dance routines in lieu of guns and knives.

As the '70s evolved, more emphasis was placed on groundwork involving stylized leg movements so-called Floor Rock or Down Rock and moves were added and deleted as tastes in funk, soul and early hip hop music evolved. Still, the basic form of both rocking and breakdance "cutting" contests remained the same until the "Rock Steady Crew" and the "Electronic Boogaloo Lockers" later renamed the "Electric Boogaloos" literally hit the streets of New York with the spectacular hand-gliding, back-spinning, windmilling, and head-spinning ground moves that have since become synonymous with the word breakdance.

The dance gained in worldwide popularity during the '80s and '90s with break-dance moves being incorporated into movies and musical theater productions and European and Asian aficionados adding their own exuberant spins and whirls to the mix.